A radiant, new escape to the lake from #1 New York Times bestselling author Carley Fortune

I never anticipated Charlie Florek.

Good things happen at the lake. That's what Alice's grandmother says, and it's true. Alice spent just one summer there at a cottage with Nan when she was seventeen--it's where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life.

Now Alice lives behind a lens. As a photographer, she's most comfortable on the sidelines, letting other people shine. Lately though, she's been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry's Bay. But as soon as they settle in, their peace is disrupted by the roar of a familiar yellow boat, and the man driving it.

Charlie Florek was nineteen when Alice took his photo from afar. Now he's all grown up--a shameless flirt, who manages to make Nan laugh and Alice long to be seventeen again, when life was simpler, when taking pictures was just for fun. Sun-slanted days and warm nights out on the lake with Charlie are a balm for Alice's soul, but when she looks up and sees his piercing green gaze directly on her, she begins to worry for her heart.

Because Alice sees people--that's why she is so good at what she does--but she's never met someone who looks and sees her right back.

#1 NEW YORK TIMES BESTSELLER • In her long-awaited memoir, Ina Garten—aka the Barefoot Contessa, author of thirteen bestselling cookbooks, beloved Food Network personality, Instagram sensation, and cultural icon—shares her personal story with readers hungry for a seat at her table.

A BEST BOOK OF THE YEAR: The New York Times Book Review, Time, The New Yorker, Vanity Fair, Town & Country

Here, for the first time, Ina Garten presents an intimate, entertaining, and inspiring account of her remarkable journey. Ina’s gift is to make everything look easy, yet all her accomplishments have been the result of hard work, audacious choices, and exquisite attention to detail. In her unmistakable voice (no one tells a story like Ina), she brings her past and her process to life in a high-spirited and no-holds-barred memoir that chronicles decades of personal challenges, adventures (and misadventures) and unexpected career twists, all delivered with her signature combination of playfulness and purpose.
 
From a difficult childhood to meeting the love of her life, Jeffrey, and marrying him while still in college, from a boring bureaucratic job in Washington, D.C., to answering an ad for a specialty food store in the Hamptons, from the owner of one Barefoot Contessa shop to author of bestselling cookbooks and celebrated television host, Ina has blazed her own trail and, in the meantime, taught millions of people how to cook and entertain. Now, she invites them to come closer to experience her story in vivid detail and to share the important life lessons she learned along the way: do what you love because if you love it you’ll be really good at it, swing for the fences, and always Be Ready When the Luck Happens.

The extraordinary novel that asks: Can a name change the course of a life?

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

Spanning thirty-five years, what follows are three alternate and alternating versions of Cora's and her young son's lives, shaped by her choice of name. In richly layered prose, The Names explores the painful ripple effects of domestic abuse, the messy ties of family, and the possibilities of autonomy and healing.

With exceptional sensitivity and depth, Knapp draws us into the story of one family, told through a prism of what-ifs, causing us to consider the "one . . . precious life" we are given. The book’s brilliantly imaginative structure, propulsive storytelling, and emotional, gut-wrenching power are certain to make The Names a modern classic.

June, 1975.

The Taylor family shatters in a single night when two teenage siblings are found dead in their own home. The only surviving sibling, Vincent, never shakes the whispers and accusations that he was the one who killed them. Decades later, the legend only grows as his career as a horror writer skyrockets.

Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of Vincent Taylor. Now on the brink of financial ruin, she's offered a job to ghostwrite her father's last book. What she doesn't know, though, is that this project is another one of his lies. Because it's not another horror novel he wants her to write.

After fifty years of silence, Vincent Taylor is finally ready to talk about what really happened that night in 1975.

The new genre-defying novel about immortality and hunger from V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue.

This is a story about hunger.
1532. Santo Domingo de la Calzada.
A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets.

This is a story about love.
1827. London.
A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined.

This is a story about rage.
2019. Boston.
College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge.

This is a story about life—how it ends, and how it starts.

"Schwab has impressively woven a compelling character drama and feminist critique into a horror thriller...sumptuous descriptions of place and time, and the slow-burn melodrama between each of the women... a tale told sharply but sweetly enough it goes down as easy as that happy-hour cocktail that, surprisingly, knocks you flat." —New York Times 

“Schwab sends you whirling through a dizzying kaleidoscopic adventure through centuries filled with love, loss, art and war—all the while dazzling your senses with hundreds of tiny magical moments along the way.” —Naomi Novik

When you've been set up to lose everything you love, what is there left to fight for?

As the day dawns on the fiftieth annual Hunger Games, fear grips the districts of Panem. This year, in honor of the Quarter Quell, twice as many tributes will be taken from their homes.

Back in District 12, Haymitch Abernathy is trying not to think too hard about his chances. All he cares about is making it through the day and being with the girl he loves.

When Haymitch's name is called, he can feel all his dreams break. He's torn from his family and his love, shuttled to the Capitol with the three other District 12 tributes: a young friend who's nearly a sister to him, a compulsive oddsmaker, and the most stuck-up girl in town. As the Games begin, Haymitch understands he's been set up to fail. But there's something in him that wants to fight . . . and have that fight reverberate far beyond the deadly arena.

EDGAR AWARD WINNER FOR BEST NOVEL OF THE YEAR

From New York Times-bestselling author James Lee Burke comes a novel set in Civil War-era Louisiana as the South transforms and a brilliant cast of characters - enslaved and free women, plantation gentry, and battle-weary Confederate and Union soldiers - are caught in the maelstrom

In the fall of 1863, the Union army is in control of the Mississippi river. Much of Louisiana, including New Orleans and Baton Rouge, is occupied. The Confederate army is retreating toward Texas, and being replaced by Red Legs, irregulars commanded by a maniacal figure, and enslaved men and women are beginning to glimpse freedom.

When Hannah Laveau, an enslaved woman working on the Lufkin plantation, is accused of murder, she goes on the run with Florence Milton, an abolitionist schoolteacher, dodging the local constable and the slavecatchers that prowl the bayous. Wade Lufkin, haunted by what he observed--and did--as a surgeon on the battlefield, has returned to his uncle's plantation to convalesce, where he becomes enraptured by Hannah. Flags on the Bayou is an engaging, action-packed narrative that includes a duel that ends in disaster, a brutal encounter with the local Union commander, repeated skirmishes with Confederate irregulars led by a diseased and probably deranged colonel, and a powerful story of love blossoming between an unlikely pair. As the story unfolds, it illuminates a past that reflects our present in sharp relief.

James Lee Burke, whose "evocative prose remains a thing of reliably fierce wonder" (Entertainment Weekly), expertly renders the rich Louisiana landscape, from the sunsets on the Mississippi River to the dingy saloons of New Orleans to the tree-lined shores of the bayou and the cottonmouth snakes that dwell in its depths. Powerful and deeply moving, Flags on the Bayou is a story of tragic acts of war, class divisions upended, and love enduring through it all.

Pulitzer Prize-winning biographer Ron Chernow illuminates the full, fascinating, and complex life of the writer long celebrated as the father of American literature, Mark Twain

Before he was Mark Twain, he was Samuel Langhorne Clemens. Born in 1835, the man who would become America’s first, and most influential, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Twain went west to the Nevada Territory and accepted a job at a local newspaper, writing dispatches that attracted attention for their brashness and humor. It wasn’t long before the former steamboat pilot from Missouri was recognized across the country for his literary brilliance, writing under a pen name that he would immortalize.

In this richly nuanced portrait of Mark Twain, acclaimed biographer Ron Chernow brings his considerable powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a journalist, satirist, and lecturer, he eventually settled in Hartford with his wife and three daughters, where he went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the hurly-burly of American culture, and emerged as the nation’s most notable political pundit. At the same time, his madcap business ventures eventually bankrupted him; to economize, Twain and his family spent nine eventful years in exile in Europe. He suffered the death of his wife and two daughters, and the last stage of his life was marked by heartache, political crusades, and eccentric behavior that sometimes obscured darker forces at play.

Drawing on Twain’s bountiful archives, including thousands of letters and hundreds of unpublished manuscripts, Chernow masterfully captures the man whose career reflected the country’s westward expansion, industrialization, and foreign wars, and who was the most important white author of his generation to grapple so fully with the legacy of slavery. Today, more than one hundred years after his death, Twain’s writing continues to be read, debated, and quoted. In this brilliant work of scholarship, a moving tribute to the writer’s talent and humanity, Chernow reveals the magnificent and often maddening life of one of the most original characters in American history.

The River Has Roots is the hugely anticipated solo debut of the New York Times bestselling and Hugo Award winning author Amal El-Mohtar. Follow the river Liss to the small town of Thistleford, on the edge of Faerie, and meet two sisters who cannot be separated, even in death.

“Oh what is stronger than a death? Two sisters singing with one breath.”

In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family.

There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees.

But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk...

A REESE’S BOOK CLUB PICK ∙ AN INSTANT #1 NEW YORK TIMES BESTSELLER ∙ Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping novel from Emily Henry. 

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Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: to write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the twentieth century. 

When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. 

One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. 

Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication. 

Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition.

But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room.

And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad . . . depending on who’s telling it.